The POW: a filmmaker blog
Home city screening of the POW

Last night The POW had it’s home city (Lancaster, UK) premier on the main screen at The Dukes, as part of a special regional short film night. Great once again to see it on the big screen where it really belongs; and a really enthusiastic round of applause from the audience!

Afterwards I was introduced to the very engaging Andy Diggle; Marvel / DC Comics / 2000 AD writer with credits including blockbuster feature The Losers (2010). I had to admit that with The POW being the first script I’ve written it was really reassuring to hear he thought it was great, with good solid engaging character and neat plot. Really good to get some feedback like that given the lull currently after returning from Moscow DetectiveFest.

Good also to see Ant Mercer and Ray Turner come along who both star in The POW.

Tea & Medals… Moscow Style

Saturday 28th - day of the festival awards ceremony hosted at The Cultural Centre of the Russian Armed Forces; a grand neo-classical building opposite The Theatre of the Russian Army (apparently the biggest theatre in Europe!). Tables laid heavy with food and drink, TV camera crews, filmmakers and dignitaries - quite the festival finale!

Then the awards; best film, best hero, best antihero - stuff like that - decided by an international jury of writers/producers/broadcasters: Boris Leonov (Russia), Antonio Bruni (Italy), Endre Florian (Hungary), Buryana Angelakiyeva (Bulgaria) and Sharma Prakash (India). Well deserved, ‘The Fall Guys’ (Scott Boswell & Rhys Cain) got pretty much the first award for the features category, and as fellow English speakers sharing a table this added a real buzz and a feeling of celebration right from the start, and the drinks start flowing! 

All the awards are announced in Russian with delayed english translation. As the only UK participant I listen out for any mention of ‘England’ or but unfortunately no prize from the judges for ‘The POW’. More, food, more drink, more awards interspersed with some entertainment on stage. Then as some final additional award is being announced on stage I get nudges from a couple of the Russian speakers at our table “It’s you! Go!”. Unsure but trusting their judgement I quickly make my way up the stairs to the stage where Yury (festival director) presents a special diploma, trophy and - shock horror - a mic. I say few words of thanks, short and sweet (having had just enough wine & vodka to warm me up but not enough to slur or fall over) and make my way back to cheers from all those new filmmaker friends.

After one more feature that evening we’re back to the hotel for a late night farewell ‘tea party’ comprising of buffet bits and bobs, beer and yes more vodka. It’s at about 1am that I decide going to bed is quite possibly a big mistake given I have to be out of the hotel at 6am to catch my flight. So with the help of Elizabeth (festival translator) Vladimir (South Urals TV journalist) and some others, we celebrate into the early hours. Elizabeth who’s been a fantastic help all week decides to get me onto coffee at around 4am which was a very good idea, and maybe the decisive action in helping me catch my flight! 5:30am I woozily pack my stuff and 6am bid these wonderful people goodbye; embarking on the 17hr journey home.

Sunday 29th - two metro lines, an aeroexpress, two flights, a brief kip at Heathrow and a final train get me to Carnforth station - where it all began - 7:30pm. Priceless. Thanks to DetectiveFest.

Здравствуйте! Москва!

Touched down in moscow just as dawn was breaking, golden sunshine clipping the horizon of forest and concrete suburbs as the train from Domodedovo airport made it’s way Paveletskaya station in the city. Paveletskaya is not the most refined introduction to Moscow… some pretty rough looking taxi drivers badgering passengers coming off the train, then out onto the streets and the bustle of obviously lower paid workers making there way down to the metro. Finding an ATM to get some cash and then figuring out the ticket machines for metro was the next hurdle, but soon sorted.

A metro map I’d brought with me was in roman characters, but all the signs on the metro are in cyrilic so matching up station names like Paveletskaya to Павелецкая took a bit of getting used to.

First stop Red Square… Moscovites roll their eyes and say ‘why do foreigners have to go to Red Sq’ - well - we just do. It’s iconic and let’s face it, nothing looks more like Moscow to the outside world than a nice piccy of St Basils; so click click click. Lenin’s tomb; click click. Walls of the Kremlin; click. Police guards on cigarette break; click click click.

Booking in at the festival hotel; the 1800+ room Hotel Cosmos, meeting other filmmakers from Russia, New Zealand, Israel, Spain and Indonesia… then off on the metro again to join hundreds of people for the opening night and a pre-premier screening of Jason Statham in ‘Safe’ (2012 USA). Dubbed entirely into Russian, someone maybe forgot to turn the English subtitles on, but I guess action films aren’t to hard to follow (good guys, bad guys, bent cops, rugged hero).

The venue; the historic soviet cinema Dom Kino (Дом Кино) which was apparently the Russian film industry’s home for the last half-century. It housed the Russian Filmmakers’ Union and meetings of the Union of Cinematographers amongst others - and has hosted Moscow’s International Film Festival.

What can I say of the rest of the week without boring you? There were some cracking film screenings from New Zealand’s low budget Pulp Fiction style feature ‘The Fall Guys’ (Scott and Rhys pictured below) to the conscientious documentary ‘Turbulence’ from Israel (respect to kobi and Roni). Loads of great filmmakers to meet and discuss projects with, lots of warm beer, Bulgarian wine and Russian vodka each evening. What was particularly unexpected was flying out of the UK in 10ºC and spending every day in Russia in heat of up to 25ºC!

But the temperature was only one of the surprises - the evening of the 26th held a couple more…

On our way to a central cinema the capital was hit by what looked from a distance like a massive green thunderstorm, but when it hit us with high gusts belting down the streets, we realised it was a fine dust. Some people were worried it could be radioactive - terrorism’s a big issue for Moscow too and being the 26th anniversary of Chernobyl was obviously on some people’s minds. Turned out (the news said) it was the natural release of an extraordinary amount of tree pollen due to the recent heatwave. Hmmm, okay - I’ll buy that.

Later, as we left the cinema we noticed a crowd had gathered at the side of the street. Barriers were up and dozens of police lining the pavements. Then the ground started to tremor… and from behind the buildings appeared a massive convoy of dozens of armoured personnel carriers, tanks and intercontinental ballistic missile launchers (bloody big ones); real state of the art cold war hardware branded with red star markings and flying red flags. Another coup with the military on the street like in ‘91/’93?? Or could it be an early rehearsal for Red Squares May Day military parade? There was no shooting so we’ll assume the later.

http://englishrussia.com/2012/04/29/victory-parade-rehearsal-on-red-square/

Tomorrow - closing awards dinner.

Moscow… I’ll be there!

Really excited to be going to Moscow!! UK Trade & Industry have agreed to cover travel expenses (potential export sales development) and the accommodation is covered by the festival organisers and Russian Ministry of Culture. The POW will be screened on Thursday 26th April as part of the films/features competition within the 5 day film festival.

Leaving Carnforth station at noon… then Manchester… Heathrow… arrive Moscow 5:30am local time. Carnforth station was of course the key location used in filming The POW!

For years I wanted to go to Moscow. In the early 90’s I set off to hitch-hike there with a 35mm SLR and tape recorder; I ended up having adventures and making friends in Poland and later Estonia but never made it any further. Eastern europe always enticed me… something to do with growing up during the Cold War I guess.

‘The POW’ has landed official selection at the XIV Moscow International Detective Film Festival… an international premier! Supported by the Russian Ministry of Culture, the invite extended to filmmakers includes four night’s stay at the enormous Cosmos Hotel! All I need to do is find some cash for a visa and flights… stay tuned.

Pennine Film Festival… and a win!

Today marks the last day of a week of shorts, talks, features etc. at the Pennine Film Festival. It’s been a really great week with a very diverse bunch of films from the UK and worldwide.

The POW had a screening on Tuesday morning followed by a good hour or more presentation/Q&A to an audience of 40(?) filmmakers/students/photographers detailing the making of. I had no idea how that’d go down, and I can’t speak for the audience but I have to say I had a great time - I suppose the attention is nice after over a year in production and waiting for the opportunity to get it in front of an audience. The projection from Blu-ray was immaculate and it looked fantastic on the big screen. Then to top it off was the thrill of being selected by the judges for Best Narrative Short Film… and a gong! (okay - show of mock surprise - I was tipped off).

Who’s that beetroot on the left? Okay - a spot of embarrassment. 

Well - Pennine’s certainly on my shortlist for future festival submissions.

Right - come on Euro film fests! Easyjet is beckoning me to buy a cheap flight somewhere exotic…

Speaking to John Hurt after yesterday’s premiere of The POW… quote “a wonderful performance” …Ben will be glad to hear it :)
Thanks again to Cypher for printing a gorgeous bunch of posters (spot The POW competition; answers on a postcard… )

Speaking to John Hurt after yesterday’s premiere of The POW… quote “a wonderful performance” …Ben will be glad to hear it :)

Thanks again to Cypher for printing a gorgeous bunch of posters (spot The POW competition; answers on a postcard… )

John Hurt at Keswick Film Festival

Tomorrow is the premiere for The POW! Keswick Film Festival runs all weekend and kicked off last night with a packed party. I didn’t know a soul but they’re a friendly crowd - met Anne the director, Stephen who’s been liaising with us filmmakers and Oli from split.co.uk who’s made a beautiful job of all the print design and festival branding. Hundreds of punters, a free bar and curry/goulash too - all followed by the opening night feature. I took along a camera to catch a bit of the action.

Special guest John Hurt was there with his wife Anwen; producer of the opening night film ‘In Love with Alma Cogan’. Cut a long story short… and I can’t remember what I said to introduce myself, but once everyone had filed in for the film, I ended up sitting in the bar with Mr Hurt having a very enjoyable chat. A really warm fellow I liked him immensely and he took a great interest in The POW - Anwen too when she joined us for a while. ‘What’s the theme?’ was rather a key point that proved how inept I am at discussing film… I guess I’m a little embarrassed to say I’ve never stopped to consider that. I could talk for England in my own uneducated way about character backstory, plot, twists, production techniques etc etc but the theme… the heart of the film in a word… I’m sorry I really couldn’t say.

I talked about some of the wonderful people who gave their time and skills for the short including Ben our lead man, Stefan our key voice from Germany and LA based Frenchman Guy who’s wonderful music composition just makes the film jump off the screen from the first moment… all volunteers, all found online, all exceptionally talented. I particularly wish Ben could have made it to the premiere but he’s tied up in London.

There was a moment when I was enthusing about production techniques, creating the sound design from scratch, loving the process but feeling this was not very professional of me… “it’s no bad thing, David Lynch loved doing all his foley work” says John. It was only after leaving that it dawned on me that of course this is from first hand experience, real knowledge and relationships with creatives who in the grand scheme of things are very much founding fathers of cinema! Minutes later we’re just two fellas again sharing our love of the English Lakes District.

I could have stayed for hours and I’d have learnt a lot and enjoyed every minute but I suppose I really didn’t want to impose or be overly familiar, I’m sure half the folks on the planet feel they know and love John… my 11yr old lad included (who is now very impressed with his dad meeting both Professor Oxley and Ollivander).

Hopefully I’ll have another chance to see John and Anwen over the next couple of days and hopefully they’ll get a chance to see the short… between them they have such a lot experience and insight a few words of which would be invaluable.

By the way - with a little reflection I can finally express the theme of The POW… it has always been salvation - and it feels good to finally define that.

Well done Keswick Film Fest for a cracking first night! 
KFF’s opening night photos 

It’s nice to be wanted :) …I’ve been invited to screen ‘The POW’ alongside the feature film ‘Marvin’s Song’ at Kinofilm Manchester on 29th Feb. Kinofilm run Manchester’s most longstanding short film festival and short film nights.

Time to prepare the posters… Thanks to Cypher Digital for offering to sponsor the large format printing!

Time to prepare the posters… Thanks to Cypher Digital for offering to sponsor the large format printing!